MI MUNDO EN SUPER-8

Blog dedicated to Super-8, a film gauge of more than half a century's old, which has a lot to say, both artistically and technically, in the midst of the digital age. OPINIONS ARE STRICTLY PERSONAL.

miércoles, 15 de julio de 2026

ADAPTING THE ANAMORPHIC FOR PLUS-8 "PORTRAIT" VERTICAL PROJECTION. Adaptación del anamórfico para proyección Plus-8 de formato vertical.

›
(En español, al final) For decades, the natural format of Super-8 was the Academy ratio of 1.33:1. However, those of us who grew up reading ...
viernes, 10 de julio de 2026

PRESTINOX PRESTIVIEW 520: A STRANGE FRENCH SOUND EDITOR-VIEWER RESCUED FROM OBLIVION.

›
(En español, al final) In the final years of Super 8 as a commercial format, when this gauge was still present in many Spanish households bu...
martes, 7 de julio de 2026

VIEW-MASTER: PUNZONADORA PARA DIAPOSITIVAS 3D. Instrucciones en español.

›
Todo el mundo recuerda, al menos vagamente, el sistema de diapositivas estereoscópicas View-Master , aquellos discos de cartón que durante d...
jueves, 2 de julio de 2026

FUJICA ZS400: THE MOVIE CAMERA THAT WAS DECADES AHEAD OF ITS TIME. La cámara de cine que se adelantó a su tiempo.

›
(En español, al final) (1st PART OF 2 ARTICLES ABOUT THE CVR SYSTEM) Throughout the history of small-gauge cinematography, many cameras defi...
martes, 30 de junio de 2026

CORRIGON f/1.1 12.5–25 mm: THE LIGHT THAT SHONE BEHIND THE IRON CURTAIN. La luz que brillaba detrás del Telón de Acero.

›
(En español, al final) For decades, we were led to believe that nothing existed behind the Iron Curtain except grey factories, unsmiling bur...
‹
›
Inicio
Ver versión web

Datos personales

Ignacio Benedeti Corzo
Ver todo mi perfil
Con la tecnología de Blogger.