When it comes to projection, I normally reach for my Fumeo or Beaulieu. But when it's time to record sound directly onto the magnetic tracks of my Super 8 originals, I trust only two machines — both of them never officially sold outside Japan: the Fujicascope SD25 Stereo Quartz and its slightly more modest sibling, the Fujicascope SD20 Quartz.
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Yelco 810 converted |
Only the top-end Fujicascopes deliver that level of precision and gentleness.
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Yelco 810 convertion to 360 meters |
Why the Fujicascope SD20 and SD25 are in a Class of Their Own
Here’s what sets them apart:
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Total reliability: They don’t damage even the most delicate, irreplaceable reversal film.
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Quick unthreading: Essential when stopping mid-session during sound recording.
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High sound quality, even with challenging magnetic coatings.
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Permalloy heads: Tough enough to withstand even poorly applied liquid-type tracks, during years and years.
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Outstanding lens: Both models come with the legendary Fujinon f/1.0, a true gem.
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Quartz sync module: Holds speed with digital precision; variable speed is adjustable from 16 to 26 fps.
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Large reel capacity: Handles up to 360 meters of film (triacetate).
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Strobe light on the SD20, for precise frame adjustments.
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The SD25 takes it further: LED digital frame counter, runtime display, programmable microprocessor effects, and independent LED VU meters for each track.
It’s a beautiful collision of 21st-century digital control and 19th-century mechano-chemical magic.
Finding either model outside Japan is nearly impossible. I was lucky to bring both back from a 2005 trip — including the step-down transformers required to run them on Japan’s native 100 volts.
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Fujicascope SD25 |
Enter the Poor Cousin: The YELCO DS810MT Quartz
Now, for those outside Japan seeking an alternative — there is one, if you're patient: the YELCO DS810MT Quartz.
It’s essentially the SD20’s less glamorous sibling — sharing the same quartz-controlled motor and internal clock, but with some compromises:
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A rather mediocre lens (the standard f/1.3 15–25 mm zoom),
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No pause-position frame stop (a frustrating omission),
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Reel capacity reduced to 240 meters,
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Overall, fewer refinements.
But here’s the silver lining: most of these shortcomings can be fixed. With a little technical work, and at a fraction of the cost, you can turn a YELCO DS810MT into something very close to a Fujicascope SD20.
Why the YELCO Brand?
Fujicascope projectors were originally designed and built by Yamawa, a joint venture between Fujifilm and Rank Xerox, intended solely to manufacture high-end projectors under the Fujicascope name.
As Super 8 began its decline in the late 1970s, Yamawa started rebranding simplified versions of their designs under other names: Bell & Howell, Minolta, Yashica, and, eventually, Porst in Germany, and Yelco in Spain, the UK, and Argentina. These versions were often sold cheaply — the catch? No multinational warranty coverage.
Final Thoughts
One day, I’ll publish a full technical breakdown of the YELCO DS810MT Quartz. But for now, let me say this: if you're venturing into the world of Super 8 sound recording, and stumble upon one of these projectors, grab it.
With a few tweaks, this so-called “poor cousin” might just become your most loyal studio companion.
Note: this text is a digest of my article published in the blog some years ago.
CLICK HERE, PLEASE, for know how to convert a 810 projector: https://mimundoensuper-8.blogspot.com/2024/10/810-mt-quartzmatic-adapted-for-360.html?m=1
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